The art work is printed on 310 gsm 100% cotton rag archival stock using genuine Epson ultra-chrome pro pigment inks on an inkjet printer. Using pigment-based ink has a significantly gamut and reduces metamerism effect allowing colour reproduction accuracy. They are archival quality and guaranteed not to fade or bleed for up to 100 years. It is the industry standard in galleries and museums across the world.

If framing the print, the artwork is handout and carefully assembled in Melbourne. Timber mouldings are hand crafted from locally sourced, sustainable and FSC certified Victorian Ash and Tasmanian Oak. The timber is milled, hand sanded and painted. The back of the frame is finished with a framer’s tape and stainless steel hanging wire.

The artwork is set back from a durable 3mm Plexiglass, a lightweight, shatter-proof, museum grade alternative to glass, which protects the work from UV damage and fading over time.

The giclée print is dry mounted to an archival 5mm foam board using acid free adhesive film.

The artwork is wrapped and packed in custom made, double wall cardboard packaging then shipped express (complimentary) using a fully trackable, 100% carbon neutral courier service.

Framed works are not available for international delivery. Please consider purchasing a print alone and take control of framing yourself.